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Sunday, 4 December 2016

Deanna Durbin born 4 December 1921


Edna Mae Durbin (December 4, 1921 – c. April 20, 2013), known professionally as Deanna Durbin, was a Canadian actress and singer, who appeared in musical films in the 1930s and 1940s. With the technical skill and vocal range of a legitimate lyric soprano, she performed many styles from popular standards to operatic arias. 

The girl who one day would be known as "Winnipeg's Sweetheart" was born born Edna Mae Durbin on December 4, 1921, in Winnipeg, Manitoba, Canada. Her British-born parents moved to California while she was still young, and her singing voice soon had talent scouts knocking at her door.  

She signed a contract with MGM in 1936, at the age of 14, which resulted in her appearance in Every Sunday (1936), a short that also starred Judy Garland. Deanna was dropped by MGM but was immediately picked up by Universal Pictures, which cast her in the role of Penny Craig in Three Smart Girls (1936). While preparing for the role she was coached intensely by director Henry Koster; it's doubtful she would have been the star she was had it not been for Koster. The profits from this film and its follow-up, One Hundred Men and a Girl (1937), rescued Universal from bankruptcy. The studio quickly capitalized on these hits, casting Deanna in two successive and highly acclaimed films, That Certain Age (1938) and Mad About Music (1938). With these films Deanna became Hollywood's darling. She reprised her role of Penny Craig in Three Smart Girls Grow Up (1939).
 
 

 
Deanna was such a hit that she shared the Academy Award's 1939 Juvenile Award with Mickey Rooney "for their significant contribution in bringing to the screen the spirit and personification of youth, and as juvenile players, setting high standards of ability and achievement". Deanna's singing and acting ability had the world talking. There was no doubt she was the most popular performer of her day. She was, however, by nature a very private individual, never comfortable with the glitz, glamour and publicity that came with stardom. Despite her uneasiness, she continued to churn out hits and kept the public enthralled. In 1943 she played Penny Craig again, for the third time, in Hers to Hold (1943).  

She was the number one female box office star in Britain for the years 1939- 1942 inclusive. She was so popular that in 1942 a seven day "Deanna Durbin Festival" was held during which her films were screened exclusively on the Odeon Theatre Circuit throughout Britain, a feat that has never been duplicated for any

other star. According to reports from the BBC over the past three decades, it receives more requests from the public for Durbin's films and recordings, than for those of any other star of Hollywood's Golden Age. 

In 1946, Durbin was the second-highest paid woman in the United States, just behind Bette Davis, and in 1947, she was the top-salaried woman in the United States. Her fan club ranked as the world’s largest during her active years. 

By 1948, however, her box-office clout began to diminish. In private life, Durbin continued to use her given name, Edna; salary figures printed annually by the Hollywood trade publications listed the actress as "Edna Mae Durbin, player". On August 22, 1948, two months after completing her final film, Universal-International announced a lawsuit which sought to collect from Durbin $87,083 in wages the studio had paid her in advance. Durbin settled the complaint by agreeing to star in three more pictures, including one in Paris. The studio allowed Deanna's contract to expire on August 31, 1949, so the three films were never made. 


Durbin, who obtained a $200,000 ($1,992,448 in 2015), severance payment, chose to retire from movies. Her former producer Joe Pasternak tried to dissuade her, but she told him: "I can't run around being a Little Miss Fix-It who bursts into song—the highest-paid star with the poorest material." 

She retired from public life in 1950, after her marriage to Charles David, who had directed her in Lady On A Train. The couple moved to Paris, France, with Durbin vowing that she would never return to show business, and raised Durbin's second child, Peter David. Since then she has resisted numerous offers to perform, including several by Mario Lanza, and has granted only one brief interview in 1983, to film historian David Shipman, steadfastly asserting her right to privacy.

 
Durbin's husband of more than 48 years, Charles David, died in Paris on March 1, 1999. On April 30, 2013, a newsletter published by the Deanna Durbin Society reported that Durbin had died "in the past few days", quoting her son, Peter H. David, who thanked her admirers for respecting her privacy. No other details were given. According to a family friend, Durbin died on or about April 20 in Neauphle-le-Château, France. (Info edited from IMDB bio by Denny Jackson & Wikipedia)


Saturday, 3 December 2016

Connee Boswell born 3 December 1907


Constance Foore "Connee" Boswell (December 3, 1907 - October 11, 1976) was an American female vocalist born in Kansas City, Missouri but raised in New Orleans, Louisiana. With her sisters, Martha and Helvetia "Vet" Boswell, she performed in the 1930's as The Boswell Sisters and became a highly influential singing group during this period via recordings and radio. 
 
The Boswells came to be well known locally while still in their early teens, making appearances in New Orleans theaters and radio. They made their first recordings for Victor Records in 1925, which included "Cryin' Blues" where Connee is featured singing in the style of her early influence, the African American singer Mamie Smith. 

The Boswell Sisters became stage professionals that year when they were tapped to fill in for an act at New Orleans' Orpheum Theatre. They received an invitation to come to Chicago and perform in 1928 and honed their act on the Western Vaudeville Circuit. When their tour ended they travelled to San Francisco. The hotel that had been recommended had a less than savoury reputation, and the man at the desk suggested that these three young ladies might be better off in another hotel. That man, Harry Leedy, would later become their manager on a handshake and become a permanent part of Connee's life. 

The Boswell Sisters travelled to Los Angeles where they performed on local radio and "side-miked" for the soundies, including the 1930 production "Under Montana Skies." did not attain national attention, however, until they moved to New York City in 1930 and started making national radio broadcasts. After a few recordings with Okeh Records, they made numerous recordings for Brunswick Records from 1931-1935. In 1935, the sisters had a #1 hit with "The Object of My Affection", the biggest of twenty top 20 records they would enjoy.  
 
 

 

  In 1936, the group signed to Decca Records and after just three releases called it quits (the last recording was February 12, 1936). Connee Boswell continued to have a successful solo career as a singer for Decca. She had changed the spelling of her name from Connie to Connee, reputedly because it made it easier to sign autographs.

Connee sang from a wheelchair - or seated position - during her 
entire career, due to either a childhood bout with polio or a childhood accident (sources differ). The general public was not aware of her condition although Boswell herself did not keep this secret. During World War II, she tried to get involved with the U.S.O. but was not given permission to travel overseas, the "powers that be" apparently thought it might not be a morale-booster to have a "cripple" perform for the troops.  

Connee Boswell was a favorite duet partner of Bing Crosby and they frequently sang together on radio as well as recording several hit records as a duo in the 1930's and 1940's. Connee  also had several dozen solo hits, including "Moonlight Moon" in 1942. Boswell's career slackened in the 1950's but she still recorded occasionally and would be featured on a number of television broadcasts including a regular stint on the 1959 series "Pete Kelly's Blues". 

In 1954, Connee recorded her last charted hit, “If I Give My Heart to You.” The song was a smash hit for Kitty Kallen but Boswell’s version rose to the #10 spot in September, 1954, and spent 11 weeks on the charts. In April of 1956 Connee was back in Decca’s recording studios in NYC with Sy Oliver and His Orchestra. The subsequent recordings were issued as her second album, simply named “Connee.” This is her last recording session with Decca records, ending a twenty-five year collaboration that had yielded many hit recordings. 

In 1958 Connee unfortunately made her last album "Connee Boswell Sings The Rodgers & Hart Songbook" on the Design Record label. It is unfortunate that Verve never signed Connee as they did Ella Fitzgerald. Connee still had an amazing voice in the 1950s.

Connee moved on to more causes that are dear to her heart by the 1960s. She was on the board of an organization called, “Comeback, Inc,” whose focus is rehabilitation of the chronically ill, aged and handicapped. By 1962 she decided to limit her performances to some occasional television work and club dates and stays much closer to home to care for her husband Harry. She continued in her humanitarian work and volunteer appearances at children’s hospitals, and in her hobby of training dogs. 

On January 1, 1975 After nearly forty years of marriage, Harry Leedy died in New York City. Connee began to make more frequent appearances in clubs and even appears with Benny Goodman in an anniversary concert. However, before long, it is clear to all that Connee was also ill. She has always had a very healthy appetite, saying herself that she could “eat like a horse.” She experienced severe stomach pain so she sought medical attention. On February 11, 1976 Connee underwent surgery at Mount Sinai Hospital in NYC to remove a tumour from her stomach. Doctors were optimistic that they could remove the tumor successfully. 

 Sometime afterward though, they discovered that the cancer had returned and began chemotherapy. By the early fall, she was confined to her hospital room at Mt Sinai and finally asked doctors to stop all treatments. On October 12, 1976 Constance Foore Boswell Leedy died at Mount Sinai Hospital in New York City. She was 68 years old. She was buried in Ferncliff Cemetery, Hartsdale, New York, next to her husband Harry. (Info edited from Wikipedia & an article by David Lobosco)


Friday, 2 December 2016

Wynton Kelly born 2 December 1931


Wynton Charles Kelly (December 2, 1931 – April 12, 1971) was a Jamaican American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz.
Wynton Kelly was  a greatly underrated talent, who was both an elegant piano soloist with a rhythmically infectious solo style in which he combined boppish lines with a great feeling for the blues as well as a particularly accomplished accompanist, gifted with perfect pitch and a highly individual block chording style. Kelly’s work was always highly melodic, especially in his ballad performances, while an irresistible sense of swing informed his mid and up-tempo performances.
Though he was born on the island of Jamaica, Wynton grew up in Brooklyn. His academic training appears to have been brief, but he was a fast musical developer who made his professional debut in 1943, at the age of eleven or twelve. His initial musical environment was the burgeoning Rhythm and Blues scene of the mid to late 1940s.
Wynton played his first important gig with the R&B combo of tenor saxophonist Ray Abrams in 1947. He spent time in hard hitting R&B combos led by Hot Lips Page, Eddie “Cleanhead” Vinson and Eddie “Lockjaw” Davis, in addition to the gentler environment of Johnny Moore’s Three Blazers. In April 1949, Wynton played piano backing vocalist Babs Gonzales in a band that also included J.J. Johnson, Roy Haynes and a young Sonny Rollins.
Kelly’s first big break in the jazz world came in 1951, when he became Dinah Washington’s accompanist. In July 1951 Kelly also made his recording debut as a leader on the Blue Note label at the age of 19. After his initial stint with Dinah Washington Kelly gigged with the combos of Lester Young and Dizzy Gillespie and recorded with Gillespie’s quintet in 1952.
Wynton fulfilled his army service between 1952 and the summer or 1954 and then rejoined Washington and the Dizzy Gillespie Big Band (1957). By this time Kelly had become one of the most in demand pianists on record. He distinguished himself on record with such talent as J.J. Johnson, Sonny Rollins, Johnny Griffin and especially Hank Mobley whom Kelly inspired to some of his best work on classic Blue Note albums like Soul Station, Work Out, and Roll Call.
Wynton proved himself as a superb accompanist on the Billie Holiday Clef sessions of June 1956 and showed his mettle both as an accompanist and soloist on the star-studded Norman Granz session with Coleman Hawkins, Paul Gonsalves, Dizzy Gillespie and Stan Getz in 1957 that produced the fine Sittin’ In album on the Verve label. In 1957 Kelly left Gillespie and formed his own trio. He finally recorded his second album as a leader for the Riverside label in January 1958, six years after his Blue Note debut. 

In early 1959 Miles Davis invited Wynton to joint his sextet as a replacement for Bill Evans. Kind of Blue, recorded in March 1959, on which he shares the piano stool with Evans, Kelly excels on the track “Freddie Freeloader” a medium temp side that is closest to the more theory-free jazz of the mid-fifties. Wynton proved a worthy successor to Red Garland and Bill Evans in the Miles Davis combo, together with bassist Paul Chambers and drummer Jimmy Cobb, an old colleague from Dinah Washington’s rhythm section, he established a formidable rapport. Kelly likewise appears on a single track from John Coltrane’s Giant Steps, replacing Tommy Flanagan on “Naima”.




During his stay with Davis, Kelly recorded his fine Kelly Blue for Riverside and three albums for Vee Jay. By the end of 1962 Kelly, Chambers and Cobb formed the Wynton Kelly Trio, which soon made its mark. The Kelly Trio remained a regular unit for a number of years and reached the height of their popularity after they joined up with guitarist Wes Montgomery, resulting in three albums, a live set in New York’s Half Note, a September 1965 studio album for Verve, and a live set at the Half Note for the Xanadu Label. Kelly’s trio, now with Cecil McBee and Ron McClure kept working during till the late 1960s.

 
Kelly suffered from epilepsy most of his life, and succumbed to a heart attack induced by a seizure in Toronto, Canada on April 12, 1971 at the age of 39.  (Info mainly jazzgiants.net)
 

Thursday, 1 December 2016

Lou Rawls born 1 December 1933


Louis Allen "Lou" Rawls (December 1, 1933 – January 6, 2006) was an American soul, jazz, and blues singer. He was known for his smooth vocal style: Frank Sinatra once said that Rawls had "the classiest singing and silkiest chops in the singing game". Rawls released more than 70 albums, sold more than 40 million records, appeared as an actor in motion pictures and on television, and voiced-over many cartoons. He
had been called “The Funkiest Man Alive”.
Lou Rawls, who learned of gospel music through his grandmother in Chicago, became a successful singer, primarily from the 1950s through the 1980s. He was a high school classmate of music giant Sam Cooke, and they sang together in the Teenage Kings of Harmony, a ’50s gospel group.
After graduating from Chicago’s Dunbar Vocational Career Academy, Rawls enlisted in the U.S. Army as a paratrooper in the 82nd Airborne Division. He left the “All-Americans” three years later as a sergeant, and hooked up with The Pilgrim Travelers as he travelled to Los Angeles. In 1958, while touring the South with the Travelers and Sam Cooke, Rawls was in a serious car crash. Rawls was pronounced dead before arriving at the hospital, where he stayed in a coma for five and a half days. It took him months to regain his memory, and a year to fully recuperate. Rawls considered the event to be life-changing.
Alongside Dick Clark as master of ceremonies, Rawls was recovered enough by 1959 to be able to perform at the Hollywood Bowl. He was signed to Capitol Records in 1962, the same year he sang the soulful background vocals on the Sam Cooke recording of “Bring it on Home to Me.” Rawls' first Capitol solo release was Stormy Monday (a.k.a. I'd Rather Drink Muddy Water), a jazz album, in 1962. On August 21, 1966, he opened for The Beatles at Crosley Field in Cincinnati.
 

 
Though his 1966 album Live! went gold, Rawls would not have a star-making hit until he made a proper soul album, appropriately named Soulin’, later that same year. The album contained his first R&B #1 single, “Love Is a Hurtin’ Thing”. In 1967 Rawls won his first Grammy Award for Best R&B Vocal Performance, for the single “Dead End Street.”
In 1969, the singer was co-host of NBC’s summer replacement series for the Dean Martin Show along with Martin’s daughter, singer Gail Martin.
After leaving Capitol in 1971, Rawls joined MGM, at which juncture he released his Grammy-winning single “Natural Man.” He had a brief stint with Bell Records in 1974, where he recorded a cover of Hall & Oates’ “She’s Gone.” In 1976, Rawls signed with Philadelphia International Records, where he had his greatest album success with the million-selling All Things in Time. The album produced his most successful single, “You’ll Never Find Another Love Like Mine”, which topped the R&B and Adult Contemporary charts and went to number two on the pop side, becoming Rawls’ only certified million-selling single in the process. In 1982, Rawls received a star on the Hollywood Walk of Fame.
On the night of September 29, 1977, Rawls performed the national anthem of the United States prior to the Earnie Shavers-Muhammad Ali title fight at Madison Square Garden. He would be requested to sing the anthem many times over the next 28 years, and his final performance of it came on October 23, 2005. The crowd at that performance may not have known that Rawls was extremely ill with cancer, but he reportedly delivered an electrifying performance to kick off Game Two of the 2005 World Series between the Chicago White Sox and Houston Astros.
In January 2004, Rawls was honoured by the United Negro College Fund for his more than 25 years of charity work with the organization. Instead of hosting and performing as he usually did, Rawls was given the seat of honor and celebrated by his performing colleagues, including Stevie Wonder, The O’Jays, Gerald Levert, Ashanti, and many others. His final television performance occurred during the 2005-2006 edition of the telethon, honouring Stevie Wonder in September 2005.
It was also announced in December 2005 that Rawls was being treated for cancer in both his lungs and brain. With his wife by his side, Lou Rawls succumbed to his illness on January 6, 2006, at Cedars-Sinai Medical Centre in Los Angeles, California.   (Info edited from Wikipedia)
 

Wednesday, 30 November 2016

Allan Sherman born 30 November 1924


Allan Sherman (November 30, 1924 – November 20, 1973) was an American comedy writer and television producer who became famous as a song parodist in the early 1960s. His first album, My Son, the Folk Singer (1962), became the fastest-selling record album up to that time. His biggest hit single was "Hello Muddah, Hello Faddah", a comic novelty in which a boy describes his summer camp experiences to the tune of Ponchielli's Dance of the Hours.
Arguably the most successful musical humorist in pop history, song parodist Allan Sherman was born Allan Copelon in Chicago on November 30, 1924. After entering show business as writer for the likes of Jackie Gleason and Joe E. Lewis, Sherman attempted to mount his own career as a performer, but initially found little success; "A Satchel and a Seck," a 1951 duet with comedienne Sylvia Froos satirizing Frank Loesser's "A Bushel and a Peck," went nowhere, and an ambitious attempt to release a full-length Jewish parody of the musical My Fair Lady met with legal resistance from the estate of composers Lerner & Loewe.
Sherman consequently turned to television, creating and producing the long-running quiz show I've Got a Secret. A tenure as the writer-producer of The Steve Allen Show followed, but when the series ended in 1961, Sherman found himself on the unemployment line. After signing a contract with Warner Bros., he released the parody collection My Son, the Folk Singer in 1962. To the shock of the recording industry, radio quickly picked up on the album despite Sherman's obscurity as a performer; according to legend, even President John F. Kennedy was spotted in a hotel lobby singing the cut "Sarah Jackman" (a parody of "Frere Jacques"), further boosting the record's popularity.
Ultimately, My Son, the Folk Singer topped the charts, and spawned a cottage industry of copycat releases. Nonetheless, Sherman remained the unquestioned king of the parody hit, and in late 1962, he returned with a follow-up, My Son, the Celebrity, which, like its predecessor, reached the number one spot. 1963's My Son, the Nut was even more successful, topping the charts for eight consecutive weeks on the strength of the Top Five novelty hit "Hello Muddah, Hello Fadduh," a summer camp-themed take on Ponchielli's 1876 composition "Dance of the Hours."
 


If, as legend dictates, President Kennedy helped establish Sherman as a star, he also inadvertently contributed to the comedian's drop-off in popularity: following Kennedy's assassination in November, 1963, the nation became serious and solemn, with little interest in the breezy fun offered by song parodies. Released in early 1964, Sherman's fourth album, Allan in Wonderland, reached only number 25 on the pop charts; issued later that year at the height of Beatlemania, the concurrent For Swingin' Livers Only! and Peter & the Commissar (recorded with Arthur Fiedler & Boston Pops) fared even more poorly, with the latter record failing even to crack the Top 40.
1965's My Name Is Allan was his last chart effort, reaching only number 88. Still, Sherman soldiered on, recording Live in front of a Las Vegas audience. After 1966's Togetherness, he was dropped by Warner Bros., effectively ending his career as a performer. Late in his life, Sherman drank and ate heavily which resulted in a dangerous weight gain; he later developed diabetes and struggled with lung disease. In 1966, his wife Dee filed for divorce and received full custody of their son and daughter.
Sherman lived on unemployment benefits for a time and moved into the Motion Picture Home near Calabasas, California for a short time in order to lose weight. After publishing an autobiography, A Gift of Laughter, he died of emphysema at home in West Hollywood ten days before his 49th birthday. He is entombed in Culver City, California's Hillside Memorial Park Cemetery. (Info edited from Wikipedia & All music)


Tuesday, 29 November 2016

Peanuts Wilson born 29 November 1935



Born Johnny Ancil Wilson, 29 November 1935, Riversville, West Virginia Died September 1980.
Peanuts Wilson, apparently so nicknamed because he was a small man (5 feet tall), was definitely no midget in the talent department, with a career spanning from his teens to his death in 1980. Wilson was born in West Virginia, but his family moved to Odessa, Texas, whilst he was still an infant.
By 1956 he was playing guitar in the Teen Kings, which was Roy Orbison’s second group formed in Texas while Orbison was studying geology in college and working oil fields at night (Pat Boone was there at the same time, and soon left to start his own recording career).
The Teen Kings recorded Ooby Dooby, under their first contract with Sam Phillips, and for a brief time rode a decent-sized wave, touring with Johnny Cash and Carl Perkins, writing and recording Go Go Go (Down the Line) and (the great song) Rockhouse.
During the rehearsals for "Sweet And Easy To Love" and "Devil Doll" on December 14, 1956, Orbison split with the Teen Kings. "It happened right in the studio", recalled Sam Phillips. "They had some difficulty among themselves, and the band broke up then and there. Really it was nothing more than their being extremely young." The Teen Kings went back to West Texas and formed another group for a few months  before Peanuts went solo in 1957.
 

 
Wilson's first solo session took place on May 26, 1957, at Norman Petty's studio in Clovis, New Mexico, and generated two versions of "Cast Iron Arm", plus "You've Got Love", which was Wilson's first attempt at song writing. Two of the Teen Kings (Kennelly and Ellis) provided the accompaniment and the sax player is either James Morrow or Jimmy Seals. The lead guitarist is possibly Roy Orbison. "Cast Iron Arm" was released on Brunswick 55039 on November 27, 1957, and credited to "Peanuts Wilson", as there was already another recording artist called Johnny Wilson. The disc was also issued in the UK on Coral Q 72302.
There were two other recording sessions by Wilson, on November 10, 1957, and September 8, 1958. Four tracks from these sessions, which are not bad at all, finally saw the light of day in 1999, when they were released on the splendid Ace CD "West Texas Bop", which also includes "Cast Iron Arm" and "You've Got Love". Wilson's version of "Paper Boy" predates the Roy Orbison version, which came out on the B-side of Roy's first Monument single in September 1959 (recorded on April 23, 1959). The other three tracks are "I've Had It" (not the Bell Notes hit), "My Heartbeat" and "You've Got Everything". Four takes of "Silly Lilly" remain unissued. "This song has totally inane lyrics but is a superb rocker," according to John Ingman.
Peanuts recorded one more single, "Little Miss Fortune"/"Twi-Light Zone" for the small Odessa-based Coronodo label in the autumn of 1963 before establishing himself as a successful writer of country songs.
Among his compositions that made the country Top 10 are "Easy As Pie" by Billy "Crash" Craddock (# 2, 1975), "Roses For Mama" by C.W. McCall (# 2, 1977) and "It's Too Late" by Jeanne Pruett (# 9, 1980). Wilson died of a heart attack in September 1980, just when Kenny Rogers was providing him with his biggest ever hit composition, "Love the World Away" (# 4 country, # 14 pop). Other stars who have recorded his songs include Conway Twitty, Brenda Lee, Loretta Lynn, Mickey Gilley, Faron Young, Bobby Vinton and Tommy Overstreet.
(Info edited from  liner notes for "West Texas Bop" (Ace CD) & Speakeasy, a wordpress blog).

Saturday, 26 November 2016

Robert Goulet born 26 November 1933


Robert Gerard Goulet (November 26, 1933 – October 30, 2007) was a Canadian American entertainer as a singer and actor. He rose to international stardom in 1960 as Lancelot in Lerner and Loewe’s hit Broadway musical Camelot. His long career as a singer and actor encompassed theatre, radio, television and film. His face was more famous than his voice, but Robert Goulet recorded a string of popular albums for Columbia during the 1960s, striking the pop charts with several hits and earning a 1962 Grammy Award.
He was born in Lawrence, Massachusetts, the son of Joseph and Jeannette Goulet. His father died when he was 13 and he moved to Edmonton, Canada, a year later. Goulet won a singing scholarship to the Royal Conservatory of music in Toronto and in 1951 made his concert debut at Edmonton in Handel's Messiah. Goulet was also a DJ on Canada's CKUA in Edmonton for two years. He appeared on Canadian television in the early '50s, but moved to New York and by the end of the decade was fit into a prime Broadway role: Sir Lancelot, in Lerner & Loewe's Camelot (with Julie Andrews and Richard Burton). A starring role in several films proved less than successful, however.
He began singing in the early '60s as well, and after an appearance on The Ed Sullivan Show, Goulet signed to Columbia in 1962. His single "What Kind of Fool Am I?" became a modest hit later that year, and early in 1963 he won a Grammy for Best New Artist.
 


Like many vocal artists of the day, however, Goulet became a bankable LP seller rather than a chart success, and though he made a surprise Top 20 showing of "My Love, Forgive Me (Amore, Scusami)" in 1964, it was his last hit. The album My Love Forgive Me reached number five and became a gold seller, and Goulet continued recording until 1970, when he moved into concert and television work.
Goulet began working in films in 1962, providing the voice of one of the characters in the animated feature Gay Purr-ee opposite Judy Garland. His first acting role was in His and Hers (1964), but it was not until a cameo appearance as a singer in Louis Malle’s Atlantic City (1980) that Goulet was given critical acclaim. In 1968, Goulet was on Broadway in the Kander and Ebb musical, The Happy Time. . He recorded the song Atlantic City (My Old

Friend) for Applause Records in 1981. He appeared in a 1982 production of Rose-Marie with Inga Swenson.
He and first wife Louise Longmore had one daughter, Nikki. His second wife, actress and singer Carol Lawrence, produced two sons, Christopher and Michael. In 1982, with Glenn Ford giving the bride away, he was married in Las Vegas to Vera Novak, a Yugoslavian-born writer, photographer and artist. When not living at their home in Las Vegas, they resided on their yacht "Rogo" in Los Angeles. Goulet has performed at the White House for three presidents as well as a command performance for Queen Elizabeth II.
He was absent from the screen for seven years until he was cast by Tim Burton as a houseguest blown through the roof by Beetlejuice and also played himself in Bill Murray’s Scrooged (both 1988). In 1990, he sang the Canadian national anthem at the beginning of WrestleMania VI, which was held at the Toronto Skydome in Toronto, Ontario Canada.
In 1993, Goulet mounted a production of Camelot, this time trading roles to play the more aged King Arthur. That same year he appeared, in animated form, on an episode of The Simpsons. In 1996 he starred in the film Mr. Wrong and three years later he was the singing voice of Wheezy the Penguin in the animated feature Toy Story 2. The year 2000 found him in a revival of South Pacific and in 2005 he was back on Broadway starring in La Cage aux Folles. In 2006 he was given a spot on Canada's Walk of Fame. A year later he was featured in a bizarre and hilarious commercial for the Emerald Nut Company that aired during Super Bowl XLI.
On September 30, 2007, he was hospitalized in Las Vegas, where he was diagnosed with Idiopathic Pulmonary Fibrosis, "a rare but rapidly progressive and potentially fatal condition." On October 13 he was transferred to Cedars-Sinai Medical Center in Los Angeles after it was determined he "would not survive without an emergency lung transplant."
Goulet died on October 30, 2007 at Cedars-Sinai Medical Center, while awaiting a transplant.(Info edited mainly from Freebase, IMDB and Last fm)